Posted date:- 10 Oct 2018
When Hilma af Klint began creating radically abstract paintings in 1906, they were like little that had been seen before: bold, colorful, and untethered from any recognizable reference to the physical world. It was years before Vasily Kandinsky, Kazimir Malevich, Piet Mondrian, and others would take similar strides to rid their own artwork of representational content. Yet while many of her better-known contemporaries published manifestos and exhibited widely, af Klint kept her groundbreaking paintings largely private. This survey of Hilma af Klint’s work will be the first major solo exhibition in the United States devoted to the artist, offering an unprecedented opportunity to experience af Klint’s long-underrecognized artistic achievements. Organized by Tracey Bashkoff, Director of Collections and Senior Curator, with David Horowitz, Curatorial Assistant, the exhibition will focus on the artist’s breakthrough years, 1906–20, when she first began to produce nonobjective and stunningly imaginative paintings, creating a singular body of work that invites a reevaluation of modernism and its development.